Tag Archives: arizona gaming news

GamerGate, stereotypes and the ‘gaming community’

Ever since the GamerGate movement arose a few months ago, many claims have been made about how it has hijacked the “gaming community.”

GamerGate’s supposed message promoting ethical games journalism has been dwarfed by its association with harassment, threats and misogyny. Now national media has picked up the story, with a New York Times article making the front page of the paper.

That attention has only amplified the message of so many who bemoan GamerGate’s negative influence on the “gaming community’s” reputation. Just read a few of the top comments on that piece to learn the general public’s reaction to GamerGate (hint: it’s not good).

Clearly, gamers have a long way to go to shake their reputation as basement-dwelling nerds. And many gamers believe GamerGate is to thank for that and have taken to Twitter to voice their concern for this “gaming community.”

Here’s the thing: Older generations might forever lump gamers into a single stereotype. But why are gamers so quick to do the same? Why is there seemingly only one “gaming community” that every schmuck who has ever played Angry Birds is suddenly a member of?

There are so many different types of gamers that classifying them as one group is both unnecessary and inaccurate. Gaming has become such a mainstream hobby that there is room for countless communities under its umbrella.

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Best video game music: AZ composer talks tunes

chrisVideo games soundtracks are becoming “too Hollywood,” according to Arizona composer Christopher Norby. Some games avoid this trap, he said, but the true potential for games composing has still not been fully realized.

A native of Derry, Ireland, Norby now lives in Tempe and has worked on three mobile games: JellyFlug, Fionn Folk Tales and Grand Theft Seagull. All were developed by Ireland-based Troll inc.

He started playing the piano at age 6 and became interested in composing at age 11; films were his first inspiration, he said.

“The one that really stood out to me first was Aliens, the James Horner score,” he said.

While games composers owe a good deal to film soundtracks, Norby thinks games should avoid copying the style of film soundtracks too much, he said. Bioshock did a good job of keeping an orchestral and cinematic feel while staying original, he added.

“Some games have started to lose their originality,” he said. “But I think games are a brilliant media for writing music.”

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Saboten Con expands gaming schedule

Local anime convention Saboten Con is taking place this weekend in Glendale. But you don’t have to be interested in anime to check out an expanded schedule of gaming events at this year’s convention.

In addition to its usual lineup of anime guests, panels, screenings and vendors, Saboten Con will feature multiple gaming tournaments, free play events and even a few video game guests.

Voice actor DC Douglas, voice of Albert Wesker in Resident Evil 5, and Kingdom of Hearts voice actor Derek Stephen will both stop by the con.

There will be two 3DS tournaments for Pokemon X/Y and Mario Kart 7 on Sunday, and AZHP Gaming is hosting tournaments for multiple games as well as casual play throughout the weekend. A complete schedule of gaming events can be found online. Passes are $20-$45. All events will take place at the Glendale Renaissance hotel.

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Guests at a previous Saboten Con (Source: http://www.sabotencon.com)

Steampunk goes western in Age of Grit

“Firefly” meets steampunk – and Final Fantasy meets the Wild West  – in a local developer’s turn-based RPG seeking funding online.

Arizona-based indie studio iqSoup has launched a Kickstarter campaign for western steampunk RPG Age of Grit. Andy Morrison, president of iqSoup, hopes to raise $12,000 by Sept. 25 to support the development of the PC strategy game – specifically, to hire artists, a composer and more programmers.

Age of Grit follows the adventures of the captain and crew of a steam-powered airship as it explores a western world in search of whatever jobs will pay the bills – transporting passengers or cargo, bounty hunting, working as guns-for-hire, engaging in piracy and more.

Morrison said he drew inspiration from Age of Grit from multiple sources, including Firefly, Final Fantasy, steampunk and the Wild West.

Andy Morrison

“There’s so much potential that has never been realized,” Morrison said. “What I like about ‘Firefly’ isn’t so much the setting… but the adventures they have.”

Unlike Firefly, Age of Grit will take place on one planet, on a single continent, because Morrison feels futuristic games set in outer space have been “kind of overdone.”

Instead, the game will focus on smaller scale adventures that highlight character interaction.

“When it’s on a more epic scale, a lot of that stuff can get pushed to the side,” Morrison said.

Combat in Age of Grit takes place between airships, is turn-based and revolves around a steam power mechanic. Airships generate a set amount of steam power each turn that can be used to power weapons, engines and other systems – but not all of them at once.

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Arizona game devs design indie esports title

A team of Arizona game developers is hoping to bring esports back to its roots with an indie title aimed at local tournaments and modding communities.

The game is RMF, a movement-based 3D arena title for PC developed in the Unreal Engine and aiming for a fall release. Project manager Austin Shamp said it plays similar to a competitive game of tag.

“The players will be playing high-stakes tag, where one player will be chasing everybody else,” he said.

RMF‘s main game mode has no weapons, which Shamp said emphasizes precision in movement. While team game modes are planned, the primary game type is free-for-all.

“Focusing on movement makes it a lot easier to balance,” Shamp said.

Shamp is working on the game with Alex Reiss – Shamp designs the levels while Reiss handles the programming. The team is looking for at least one artist to handle textures, models and animations, as the game is still using default Unreal assets.

RMF is still in development, Shamp said, and the movement mechanics are taking the most time to perfect. Because there is such an emphasis on movement as a “strong base mechanic.”

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How virtual reality can avoid becoming a 3D fad

In 2009, “Avatar” blew past previous box office records with its special effects and widespread 3D release. After years as a novelty, James Cameron had everyone believing realistic 3D was the next form of immersive storytelling.

But Cameron’s world of 3D never became a reality; 3D movies and television are rapidly declining in popularity.

Meanwhile, a similar craze has taken over in the video game industry: virtual reality. Oculus VR, Sony’s Project Morpheus, Samsung’s Gear VR and Google Cardboard are already vying for dominance in the new medium.

But it’s still unclear if virtual reality will have any real staying power. Will it learn from its predecessor’s mistakes, or is it just another 3D fad?

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The 3D problem

While some were hailing 3D as the next big thing in cinema, moviegoers think otherwise. According to Deadline, movies released in 3D are earning less and less each year from 3D showings, with 2014 expected to have the lowest percentage yet.

And 2014 also has the lowest number of 3D releases in recent years: 28, down from 34 in 2013 and a peak of 29 in 2011. Hollywood seems to recognize 3D films are failing and it’s adjusting accordingly.

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Phoenix Makes Games Jam tests skills of Arizona developers

Game developers from across Arizona participated July 18-20 in Game CoLab‘s Phoenix Makes Games Jam, a 48-hour challenge to create a video game.

Four teams built games for the event based around a dinosaur theme and presented them July 20 at Arizona State University in Tempe.

“We wanted to bring people together and show them what we could do,” Game CoLab co-founder Ben Reichert said. “I wanted to do something that kind of symbolized Arizona because we do have some archaeological things here.”

Game CoLab has hosted game jams in the past with the most recent being the Phoenix Global Game Jam.

“With the global game jam we didn’t have any prizes and I’m really excited we had some prizes this time,” Reichert said.

A panel of judges chose the winners based on theme, programming quality, art style and gameplay features.

Event sponsors included the Arizona Commission on the Arts, Ascendum, Arizona State University, The University of Advancing Technology, Unity, Cartel, Cosplay Fan Gear and “Indie Game: the Movie.”

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The winning team behind Dinosaur Story.

First place and the prize of a permanent Unity Pro license went to Dinosaur Story, a dinosaur exploration simulator that challenges the player with surviving in a 3-D world. The player dinosaur must prey on weaker dinosaurs while evading larger ones that can kill it, team member Tyler Knecht said.

“It’s a battle between surviving hunger and not being eaten,” Knecht said. “Eventually plants won’t suffice and you need to become a predator to survive.”

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