Video games soundtracks are becoming “too Hollywood,” according to Arizona composer Christopher Norby. Some games avoid this trap, he said, but the true potential for games composing has still not been fully realized.
A native of Derry, Ireland, Norby now lives in Tempe and has worked on three mobile games: JellyFlug, Fionn Folk Tales and Grand Theft Seagull. All were developed by Ireland-based Troll inc.
He started playing the piano at age 6 and became interested in composing at age 11; films were his first inspiration, he said.
“The one that really stood out to me first was Aliens, the James Horner score,” he said.
While games composers owe a good deal to film soundtracks, Norby thinks games should avoid copying the style of film soundtracks too much, he said. Bioshock did a good job of keeping an orchestral and cinematic feel while staying original, he added.
“Some games have started to lose their originality,” he said. “But I think games are a brilliant media for writing music.”